DON'S ALBUM OF THE YEAR -
Wilco ~ "Sky Blue Sky"
By a nose, my winner for 2007. I've been keeping my eye on this band for past decade or so. While I've usually liked what I heard from them, there was work to be done to achieve an elite review. In the past, I felt they were a bit too sloppy and quirky. This record, their sixth studio album, changes that. They deliver a California-smooth sound with beautiful melodies and interesting lyrics of both hope and desperation. A varied mix of acoustic and electric textures, Wilco recalls the influence of John Lennon, Jerry Garcia, Ray Davies and The Allman Brothers. Frontman Jeff Tweedy is in fine vocal and songwriting form, and new lead guitarist Nels Cline adds a valuable punch to the arrangements. These songs hooked me, and I found myself appreciating them more with each listen. I somewhat consider Wilco to be the American "Radiohead". They are one-of-a-kind, and this time, they deliver their best work to date.Honorable Mention -
My runners-up are certainly well-worth your attention, as really, either of them could have been the winner for 2007. It sort of depended on which recording I had listened to most recently.
Iron & Wine ~ "The Shepherds Dog"
Samuel Beam delivers his third and best album yet. More produced than his earlier folky efforts, it has the sound of a talented musician and songwriter coming of age. You've heard Iron & Wine on movie and TV show soundtracks, but they deserve a closer listen.Radiohead ~ "In Rainbows"
Radiohead receives brownie points for their novel "pay-what-you-want-to" approach on the album's release, but the music lives up to the hype. This band is arguably the leading alt/rock band around these days, and this recording serves to enhance that reputation. Creative with a capital "C"... in a good way.– Don Woodward
WILLY'S ALBUM OF THE YEAR -
Bruce Springsteen ~ "Magic"
These are tumultuous times. Times for expressive, creative thinkers to focus. Magic, Bruce Springsteen's most recent release, masterfully shines a light that helps us all see a little more clearly. Victoria Segal of the Times Online reviewed it beautifully: "A new Bruce Springsteen album is always an event, and Magic, his first with the E Street Band since The Rising, is no exception. It’s not, of course, the kind of event that you would dress up for: best instead you pull on something checked and work-worn and listen to songs that ring with a hard-earned truth.After We Shall Overcome: The Seeger Sessions and The Rising’s meditations on 9/11, if Springsteen was any more elder statesmanlike he would be off signing the Treaty of Versailles. Admittedly, Magic can be a little obvious: diner waitresses, long journeys home by the glow of the radio’s dial and men called Sal all appear. Yet there is a grandeur and intensity here that strikes home immediately, Springsteen’s lyrics carried along by the tidal instincts of musicians who have worked together for decades. Springsteen could make a drive to the dry cleaners sound like the Great American Road Trip. Sure enough, Magic begins with Radio Nowhere and a man lost in the dark of the “American night”. “Driving through the misty rain/ Searchin’ for a mystery train/ Tryin’ to make a connection to you,” he sings, and Magic is all about these missed connections and missed chances, the sense of dislocation that comes when love and morality spin out of control.
His manager, Jon Landau, has said that this is not a political record – aside from Devil’s Arcade, a lament from a soldier’s wife – but Springsteen is drawn to express the heart’s turmoil in terms of global chaos. Last to Die uses the fiery language of regime change to discuss domestic meltdown; Long Walk Home, fueled by Clarence Clemons’s saxophone, sounds like classic small-town angst, but there is an odd ambiguity to the courthouse flag and the neighbors on the street. Elsewhere, Girls in Their Summer Clothes is a masterpiece of regret, while I’ll Work For Your Love mixes the sacred and profane like a whiskey sour.
You could bite these songs as though you were testing a coin – not one feels counterfeit. As he sings on Radio Nowhere, he is “spinning round a dead dial, just searching for a world with some soul”. It is a lot to ask but once again, Springsteen does his best to fill that void."
It's my Album of the Year 2007. It's Boss.
Honorable Mentions -
Herbie Hancock ~ "River - The Joni Letters"
A very special, unique record in the contemporary jazz genre, this recording received the Grammy album of the year award. Deservedly so. If you enjoy this genre, and like me, you recognize the work of Joni Mitchell as genius, you will be challenged and moved by this collection. Check it out.Original Soundtrack ~ "Once"
I went to see the movie. No clue about its storyline, just strong credible urgings from musical friends. At the movie's end, I was stunned, shaken, unprepared for the impact of the film "Once". A breath of fresh air in the world of predictable Hollywood crank-it-outs, "Once" is a fabulous movie. The heart of the film is the spare, earnest, original music. Glen Hansard, lead singer and writer for the Irish band The Frames, stars in the movie. Through his music, he lets us into his intimate, fragile world. Rent the movie, buy the soundtrack.Eddie Vedder ~ Original Soundtrack ~ "Into The Wild"
Sean Penn asked Eddie Vedder to compose an original musical score to his film Into The Wild. Boy, did he. It is a very moving collection of acoustic songs together with a visually powerful film. Creative stuff from Eddie who played all of the many instruments on the project. Vedder gets bedder and bedder.– Willy Snook
